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Alias Eleven High Back

Eleven High Back, PearsonLloyd, 2015

High Back is a versatile sofa which can bring elegance to private or public spaces. The high backrest enhances the feeling of privacy, while the minimal and pure lines are in line with the brand style.

Green collection, Giandomenico Belotti, 1983

An elegant and functional collection for the outdoors. The swimming pool sunbed is reinterpreted and its shapes are brought to new extremes in a research for expressive purity.

Rollingframe+, Alberto Meda, 2013

Small armchair, part of a rich collection of seats for the home or the office made of aluminium and PVC weave. With its light and stark shape, rollingframe+ offers the best requisites in ergonomics and functionality.

Saen, Gabriele Buratti, Oscar Buratti, 2015

Saen reinterprets the table with central leg using a pliable material such as cement, which allows to create plastic and fluid shapes. Cement, typically used in architecture, is here applied to indoor furniture, revealing its eclectic features.

Manzù, Pio Manzù, 2011

Manzù is the rendition of an iconic piece by one of the main car designers from the 60s. The armchair, clearly inspired by cars, is the result of an ergonomic research aimed at combining well-being and project rigour.

Spaghetti Chair, Giandomenico Belotti, 1979

This chair is an iconic piece of design and it is showcased at the MoMA in New York. Spaghetti Chair, the first piece of the firm in 1979, comes with a light frame, a seat made of woven PVC and its lines evoke rationalist aesthetics.

Dehors collection, Enzo Mari, 2008

Enzo Mari, inspired by natural shapes and their irregular and random lines, designed a modular seating system to create a “garden living room”. The frame of the pieces features dynamic lines, and the cushions enhance the comfort and informality of the system.

Aline, Dante Bonuccelli, 2012

An elegant and functional modular system, declined in a number of versions to ensure versatility and customization options. The frame in aluminium enhances the lightness and sustainability of the system.

Laleggera Collection, Riccardo Blumer, 1996

Lightness and technological innovation are the principles which shape this successful collection. It includes various elements, from the table to the stool, with a frame in wood with inner support in polyurethane, inspired by gliders technology. Laleggera chair was awarded the Compasso d’Oro 1998 and it is showcased at the MoMA in New York, at the Centre George Pompidou in Paris and at the Triennale Museum in Milan.

Teak, Alberto Meda, 2007

The teak table was designed to be suitable both for outdoor and indoor use. The slats of the top are finger joint to ensure lightness, while the frame is in aluminium.