Table lamp Atollo, design Vico Magistretti 1977, Oluce

Having become the archetype of the table lamp over the years, Atollo revolutionized the way of imagining the genre.
Photo Courtesy Oluce.

Table lamp Atollo glass 235, design Vico Magistretti 1977, Oluce

In the Murano glass version, Atollo turns into a luminous object from the base to the lampshade.
Photo Courtesy Oluce.

Table lamp Atollo, design Vico Magistretti 1977, Oluce

The geometric forms that make it up—the cylinder, the cone and the half-sphere—have given life to both a decorative and minimalist product.
Photo Courtesy Oluce.

Table lamp Atollo, design Vico Magistretti 1977, Oluce

The metal version (painted aluminum) is available in black, white and gold versions.
Photo Courtesy Oluce.

Pendant lamp Sonora, design Vico Magistretti 1976, Oluce

The large cupola shape of Sonora imposes itself in its space from its dimension. Hanging from an almost invisible wire, it gives the impression of gently floating in the air.
Photo Courtesy Oluce.

Pendant lamp Sonora, design Vico Magistretti 1976, Oluce

Sonora is the story of a pure geometric form, the half-sphere, obsessively pursued by Magistretti for almost thirty years and expanded over the years into various dimensions and materials. Created as a metal lamp, it was proposed over the years in Murano glass and metacrylate versions.
Photo Courtesy Oluce.

Floor lamp Pascal, design Vico Magistretti 1983, Oluce

In Pascal, the cone gets enhanced by repetition. At the end of the tige, supported by the metal base, two upside-down cones get positioned as if they were in balance with one another.
Photo Courtesy Oluce.

Floor lamp Pascal, design Vico Magistretti 1983, Oluce

The upper cone hosts a LED light bulb and acts as a “luminator”, the lower one hosts two traditional light bulbs with an E 27 socket and transforms the inclined walls above into perfect reflectors that send the light below.
Photo Courtesy Oluce.